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“Move If You Wanna”
The bare-bones beat behind MIMS’ “Move if You Wanna” champions the concept of “less is more”—something too often overlooked, or poorly executed, in popular music.  Jamaican-born and Manhattan-raised rapper MIMS has it down to a science, however, with the up-tempo clapping beat and clever lyrics (seriously: “Chicks call me Phil Drummond ‘cause I give ‘em diff’rent strokes!”). 
“Move if You Wanna” leads in with altered vocals duking it out—it sounds like Alvin, of Chipmunks fame, teamed up in a duet with a kidnapper using a vocal modifier—for the often repeated chorus, “Move-move if you wanna, if you wanna, if you wanna.”  Now just play that eight times in a row, re-use it for the chorus two more times, and you have half the song.  While it sounds repetitive (it is), MIMS makes it work with the second refrain playing louder and practically demanding that asses be shaken in response.  MIMS will have your girls moving like their lives depended on it. — Kylie Matthews

Also featured on “StripJoints” Vol. 15:

Lil Goonie “Girlz Gone Wild” 
Lady Gaga “Just Dance” 
Jody Ruffoul “World of Temptation” 
Steadlur “Bumpin” 
2 Live Crew “Dance Like A Ho” 


Hookups happen.  Nothing wrong with that—we’re all adults here.  Now, whether you decide to leave it at a hookup and nothing more, or pine away mournfully (since you “could’ve been in love by now”) will generally dictate whether you are (a) a man or (b) a woman.  Alright, of course that’s a gross generalization, and there certainly are exceptions, but the second tactic is the one taken by Solange in “T.O.N.Y.”

solange“T.O.N.Y.” (which is short for “the other night, why,” which, despite our best efforts, makes no sense in the context of the lyrics, but hey, who’s paying attention?) plays well as a relaxed break from the generally frenetic pace in strip clubs.  Her soulful R & B ode to a lover who spurned her—whom Solange eventually tells to f*** off (when he does finally call, that pig!)—can give your dancers, and maybe a few of them sensitive-type guys, a song to genuinely groove to.  If you’re unfamiliar with the track, and are feeling pretty doubtful of its place in your club, fear not; some of the lines that sound out the most clearly are “Still he wasn’t just some regular guy,” and “I wish I could take my mind off him,”—fodder for the girls to work with in the VIP room. — Kylie Matthews


“Champagne Chronic Nightcap”
In terms of belting out the skull-splitting notes her older sister Beyonce is famed for, Solange doesn’t quite compare.  She does, however, know a thing or two about singing in a voice that just drips with pure sex appeal, and the inviting, sultry tone practically carries “Champagne Chronic Nightcap” all on its own.  The song is an ode to (obviously) the finer things of a bubbly and cannabis-related nature (we’re sure it’s for medicinal purposes), and throwing it all back with the right person for the purposes of getting extremely messed up.  Good times!

solangeSolange’s teasing giggle and lilting voice are made for tempting men into shamelessly indulging, so use this song as a marketing ploy; in the same way many clubs run dance specials for a given track, try pushing champagne during this song. — Kylie Matthews


“Family Reunion”
You know at least a couple of Saliva tunes—I guarantee it.  Whether you’ve heard them on the radio, in your own club or in one of dozens of TV commercials, tracks like “Ladies and Gentlemen,” “Click Click Boom” and “Always” are among some of the most recognizable rock tracks of the past half decade.

Fresh off of their new album Cinco Diablo (it’s their fifth album, get it?), the track “Family Reunion” finds its way on “StripJoints” Vol. 15.  It rocks, it has a few trademark “booms” from singer Josey Scott, so why not give it a spin?

Michelle Williams

With a thumping base line that grabs you like an alien face hugger, and her breathy, vocals gasping deliciously through the meandering lyrics, Michelle Williams’ “Hungover” will have the hairs on the back of your neck standing at attention.  Other body parts may follow suit after three-and-a-half minutes of seeing your dancers sweat along to the pulsing beat and dynamic pauses.

michellewilliamsThere’s something especially tempting about a song that leaves Williams — also a gospel singer who had the best-selling Christian album of 2004 — “crazy”, “sick”, “dizzy”, “tore up” and, of course, “hungover” in this ode to a lover who has left her in a mental and emotional — and pretty freakin’ hot — stupor.  The lyrics feel somewhat rambling, but complement the general tone of her song, which is about the heady, nonfunctional state you’re left in with a (love) hangover.  While you may find her hangover somewhat less fearsome than the Sauza-inspired one you dealt with last weekend, you’ll probably find a new interest in being the direct cause of hers.  — Kylie Matthews


“Something In Your Mouth”
Hmmm ... something in your mouth, eh? Wonder what that could be?
nickelbackIn any case, thanks to tracks like “Figured You Out,” “How You Remind Me,” “Rockstar” and “Animals,” Nickelback has become a favorite of exotic dancers and adult club patrons everywhere.  In fact, they may very well be THE hottest rock band in adult clubs across the country.  Sexual innuendo goes a long way with this band, and why not?  If it ain’t broke, don’t fix it!

The track “Something In Your Mouth” comes (no pun intended) off of their brand new CD Dark Horse, and it is custom made for play in your club.  And when I say custom made, I mean, if your club plays rock music, and your DJ doesn’t get this song in heavy rotation, you should have his or her head examined. 

In fact, when you look at the lyrics, it looks like they wrote this song specifically for play in adult clubs!  But don’t take my word for it—read ‘em:

Got to meet the hottie with the million-dollar body
They say it’s over budget buy you’d pay her just to touch it
Pretty little lady with the pretty pink thong
Every sugar daddy hittin’ on her all night long
Crafty little lip tricks
Tattoos on her left hip
She bending as your spending
There’s no ending it so baby come on
Dressed up like a princess
Bettin’ that her skin smells better
Than the scent of every flower in the desert come on
You’re ripping up the dance floor honey
You shake your ass around for everyone
I love the way you dance with anybody
And tease them all by sucking on your thumb

So really, what are you waiting for? Play this song NOW.

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