Concrete Marketing

The DJ Booth

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steel-panther-2013Steel Panther

* EXCLUSIVE track to DJs through!

 We all know that guy. He’s the guy who has to ask his wife or girlfriend permission to get a beer from the refrigerator, let alone have a night out with the boys. As for going to a strip club? He’s got a better chance of winning the lottery. That’s exactly the sentiment behind “Pussywhipped,” the opening track on Steel Panther’s newest CD All You Can Eat. Don’t let its classical guitar intro fool you—“Pussywhipped” rocks as hard as any Steel Panther track yet. Dedicate this to the bachelor party or that group of dudes in the corner. It’s a guarantee that one of them is lying about where he is right now.

Rock hard and laugh out loud

 Steel-Panther.promoFBwith best band to emerge from the Sunset Strip in the past 20 years: Steel Panther

Though 1987 seems like half a lifetime away, listening to the music of the era—specifically, “hair bands” like Motley Crue, Poison, Ratt and Dokken—can take you back in an instant. But for those who think that the glory of ‘80s hard rock and metal is saved only for the nostalgia of those classic albums, then it’s time to get familiar with one of the hardest rocking, most ass-kicking, balls-to-the-wall bands to emerge from the Sunset Strip in the past 20 years: Steel Panther.

Stripjoints gets an online upgrade

SJSalivaDJPoolwith the brand new site for indudstry DJs

It’s free music from many genres—rock, hip-hop, EDM and more—for qualified club jocks, courtesy of Bob Chiappardi and Concrete Marketing

For nearly the past 10 years, a CD has been sent for free to every adult nightclub across the country. This “StripJoints” CD, produced by Bob Chiappardi and Concrete Marketing, was designed specifically and exclusively for adult nightclub DJs. As we noted in the Club Bulletin over a decade ago, major record labels pay attention to the fact that adult nightclubs play more music, and more different styles of music, than any type of nightclub or bar in the country. This is exactly why the “StripJoints” disc had “strip-club-appropriate” tunes that offered hard rock bands right next to hip-hop tracks, and even songs by such wide-ranging artists as Nick Cave and Jimmy Buffet, to name just a few.

Dj spotlight:

John-Hardin-copyJohn Hardin

Getting a taste for music in his formative years as a session and journeyman drummer, John Hardin decided to try his hand at DJing in 1985 in Jacksonville, FL. After honing his skills in smaller clubs, he began working at both dance and topless clubs throughout the city. Seeing that Jacksonville’s nightclub potential was limited, he made a big career move to Atlanta in late 1989. There, he began working at Boomer’s in Marietta, later working simultaneously at DC’s SuperClub as a member of ‘The Atlanta Vampires’ DJ Group and the nude club Stormin’ Norman’s during the day.




Lemmy and his band of hard rock legends are back with their newest offering, “Heartbreaker” (and what girl in your club doesn’t think she’s a heartbreaker), fresh from their new disc Aftershock (their 21st, in case you’re couting). This time around, the veteran trio employs a surprising use of keyboards, a boy’s choir and a full orchestra ... just kidding. Come on folks, this is the mighty Motorhead. They do what they’ve always done—rock your face off. Why would you expect anything less? — Dave Manack


InThisMomentWhoreIn This Moment


In This Moment, L.A.’s hard rocking quintet, makes headway in the adult nightlife scene with their latest album, Blood. One particular song from this album—”Whore”—is sure to catch not only your patrons’ attention, but your entertainers’ ears as well, with lead female singer Maria Brink’s vocals taunting the crowd as she croons her sly deflection of the “whore” stereotype with lyrics like, “You probably thought I wouldn’t get this far/ You thought I’d end up in the back of a car/ You probably thought that I’d never escape/ I’d be a rat in a cage, I’d be a slave to this place.”
 The song opens with a mellower harmony—setting the scene for an entertainer’s soon-to-be wildly seductive dance—with Brink’s sensual verses. It then takes a sudden turn with the chorus, spiraling into chaotic and a classic heavy metal raunchiness that accompanies Brink’s raw outburst of “I can be your whore!/ I am the doll you created/ I am your sin/ I am your whore.”

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